“A load of hogwash,” says John Law, one of its founders. Over the years, the event-expected to return to the desert in 2022 after a two-year Covid hiatus-has come to represent a kind of countercultural city on a hill, founded on druggy West Coast woozeries and lovey-dovey principles of living, a radical weeklong social experiment bolstered by a gift economy. Is that what Burning Man is all about? Role-playing scenes from your favorite fantasies, with a frightening dash of Herbertian horror? You’d be forgiven for thinking not.
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